My practice engages with everyday experiences that appear ordinary, stable, or familiar, but gradually reveal subtle tensions, dependencies, and instability. I am interested in how people trust information, memories, relationships, and systems that seem to support their existing beliefs, while overlooking their incompleteness, fragility, or potential distortion. Rather than treating truth or meaning as fixed, I approach them as conditions that are continuously filtered, maintained, packaged, and reshaped through personal experience, social structures, material processes, and modes of transmission.

I work across installation, performance, moving image, sound, and participatory structures. Through these forms, I construct situations rather than direct statements, allowing meaning to emerge through spatial relationships, bodily presence, repeated gestures, material transformation, and audience attention. Materials such as water, ice, rope, printed text, resin, sound, digital interfaces, and everyday objects are used for their ability to shift states, hold traces, lose form, or distort perception over time.

Rather than explaining these ideas directly, I build open situations where information, materials, and relationships can break, repeat, fade, or be reconfigured. My works do not aim to provide fixed conclusions, but allow unstable boundaries and hidden dependencies to become visible through time, attention, and experience.